Ep 10. Nothing Pleases; I Like Country Teasers (...and Lucille Bogan)
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Now, some show notes, featuring, sources, further reading, playlists and more discussion that didn't make it to audio. First, here's a Spotify Playlist to follow the episode with. Follow us via @barelyhumanpod on Twitter, Facebook or Instagram or email me at email@example.com.
Some background to writing the ep, supporting info, credits and omissions below...
Nothing Pleases; I Like Country Teasers
This episode is another one based off one of the zines / print essays written back in 2016 that kickstarted this series (more on that here). That was supposed to be the end of a zine trilogy before I moved on to writing something else. The zine itself received a lot of criticism, not least of all because much of the other writing about Country Teasers out there refers to them as a Scottish band (who mostly played in London; I had to try very hard to resist stoking that flame by just piping the word GLASGOW throughout the entire episode). It also copped the ire of many Country Teasers fans who didn't like it, and the ire of people who read it as me platforming someone who uses hate speech for satire. I tried very much to sit on the fence in the zine, but in hindsight I don't think it was the right approach...maybe this episode is a bit more reflexive and puts things into context in a way that better represents how I feel about them?
|(Photo by Scottish publisher and zine/book store GoodPress)|
At time of writing, the tour doco This Film Should Not Exist is due for release soon, made by a couple of Italian filmmakers who followed the Country Teasers / Oblivians EU tour that was mentioned briefly in the episode. For some reason, that tour seems to be one of the main pieces of folklore about the band in the zine 'literature'...maybe this doco gets to the bottom of that, or maybe it's just a notable event for a time where bands like CT had very few notable events to put in print.
As for omissions? Oh there would be plenty, lots of missed band members and other projects the band members were involved in (The Male Nurse being prime among them)... Wallers' solo(ish) project The Rebel could also have been the subject of the episode, but I tend to prefer the Teasers records than The Rebel records (though Prawns is very good!) One thing that wasn't discussed but probably bears mentioning is The Rebel's logo, which Wallers calls the Spakenkreuz. It was too difficult to put into words for this episode. The spakenkreuz was devised as an anti-nazi symbol, a swastika with one arm bent over on itself to 'break the cycle' while also resembling a person running in fear. Of course the intent was always to LOOK like a swastika in order to gain from the shock effect while having a progressive message so as to not get in trouble for brandishing it right? I get it, I weirdly and uncomfortably like it and believe in it, but in the end (like with all Teasers/Rebel) music, the effect it has (revulsion) gives the symbol its meaning.
|The Spakenkreuz on The Rebel Prawns LP|
I Need a New Slogan; I Like Lucille Bogan
I haven't been able to find the original quote, but somewhere it's written that "every generation is surprised to discover that the last one was fucking." That quote was on my mind when I was writing the Fugs episode, and the Lucille Bogan section, and I think in the time of "OK Boomer" is an important quote to remember? There's a minor goal underlying the Barely Human series of attempting to draw some intergenerational lines (to unite the underground b/z-oomers) to show the similar approaches between the past and the contemporary. Who knows if there's any point to that really, but by the time we get to the weirdos of the present day, and in starting with those of yesteryear, I think it could be clear to a 16 year old and a 60 year old that we had common approaches and beliefs. Maybe.
|The Great One|
|The '90s compilation CD that arguably brought Lucille Bogan out of obscurity by uncovering the secret cut of 'Shave Em Dry'|
Lucille Bogan's story was a little difficult to piece together because there are only skerricks of info out there, and undoubtedly a lot of that is exaggerated or dampened or skewed depending on who was writing about it. Luckily most of the writing has been done by people from the Blues communities who tend to be sliiiightly more interested in the facts that the punk writers of years passed. I'm hugely indebted to the PhD thesis written by Linda Moroziuk called Locating Lucille Bogan who dug through and fact-checked the info that's out there, transcribed all of Lucille's lyrics, and put it into context with the times as well. It's really well done and I hope it gets published as a book in some form. I took a slightly different approach and interpretation at times, but it's really great research an worth a read for more info.
|Photo of the unreleased 'Shave Em Dry' 10" juuust found when writing this. Seems to be a radio show who discussed Lucille's records here (no time to listen yet but might be worth following up with).|
I had to remove some tangents that took up too much time and space, but I wanted to talk a bit more about the era of the 78s and 10" shellac vinyl when it came to Lucille Bogan, but that kinda linked with the Cheater Slicks episode so didn't quite work out. I think there's an interesting connection from the vaudeville/phonograph era, to the amateur '50s garage rock bands, to the '90s garage revival that I haven't really heard discussed. The early blues singers who recorded on the 78s, that when the '50s came around, became of interest to record collectors looking for bargain records.. who then started amateur rock bands. Those garage bands then got picked up by the '90s garage revival and maybe as a result the 10" vinyl made a brief come back in the era? That's all a bit of stretch...
Of course, Country Teasers first release was put out on 10" vinyl, and that is maybe in part due to the garage revival putting it back on the table... but it's more likely a nod to The Fall's Slates 10." With Slates, Mark E. Smith demanded it be released as a 10" because the band was rising in popularity and looking like they'd chart with their next release. Being blissfully anti-industry, the 10" release was the only way that Smith would be saved from the singles (7") or album (12") charts....
|Would have preferred Pastoral with a 50c piece for scale but do not own|
As far as connections across episodes... not so many, but Country Teasers used to cover a couple Butthole Surfers songs and Randy Newman's 'Short People,' so it wasn't totally crazy to put them in context with each other. While Wallers is an on-the-record Butthole Surfers fan, seems 'Short People' is the only Randy Newman song he's aware of. (Which is crazy to me cos no one in this series has a closer songwriting approach than the Newman/Wallers combo in my mind!)
Credits: Production, Guest Contributions, and More!
Barely Human was produced by Jason L'Ecuyer and Output Media. Sydney band Tim & The Boys created the show theme. The cast of this episode who played various characters in guest read form are below...
Cast of Barely Human, Episode 10
Teasers Title - Drooby Mullane
Piece of Shit - Sabina Rysnik
"racism is bad" - Toto Shorey
Break your legs! - Gabe Karabell
Lucille title - Peta Kiernan
Lucille medley - Ben Warnock, Lauren Booker, Sabina Rysnik, Scarlet Benson
Sources & Further Reading
Some sources! The zine literature... I've lost the compilation zine of all the Country Teasers writing compiled that I relied on to write the Nothing Pleases essay so can't remember what it was called or how to credit it... but it exists! Others include the below...
Spakenkreuz: Interview with The Rebel - Alistair Shuttlesworth (UBTV, 2016)
15 Minutes of Shame w/ Ben R Wallers - (2018)
We Never Learn: The Gunk Punk Undergut - Eric Davidson (2010)
Locating Lucille Bogan: Black Music, The Arts and Socio-political Opposition in Early 1900s America - Linda Morozuik (2017)